(Des)orientação: deslocamentos e proposições artísticas no Sul do Sul

Abstract

The present research addresses the process of creating the poetic production (Des)Orientation, a proposition that, through arrows, causes a deviation from the daily paths of its participants, aiming to develop a different relationship with their surroundings by allowing time to get lost, see and review their landscapes, and thus experience new situations in the territory they inhabit. This dissertation will present the intersections generated by my experiences in the municipalities of Rio Grande and Pelotas, which influenced both the poetic production and my personal development. It will also present different perspectives of the (Des)Orientation proposition, such as the filter, the game, the workshop, and exhibitions. Finally, the concept of dispositif will be addressed through the reflections of Michel Foucault (2004) and Giorgio Agamben (2009). For the development of this dissertation, I use visual arts research as a methodology, through the considerations of Sandra Rey (1996 and 2002), since the poetic productions presented in this research are approached from the perspective of their processes. In addition to visual arts research, I use cartography as a tool that assists in carrying out my artistic practices, facilitating the understanding of the relationships we have with our surroundings. To discuss issues such as displacement, artistic proposition, the creation process, cartography, landscape, and dispositif, I engage with theoretical and artistic foundations from references such as Suely Rolnik (2011), Virgínia Kastrup (2009), Eduarda Gonçalves (2011), Karina Dias (2008), Jacopo Crivelli (2012), Paola Berenstein Jacques (2012), Giorgio Agamben (2009), Michel de Certeau (2014), Guy Debord (2005), among other authors and artists.