Dispositivos para o cosmos do som com[o] espaço.

Abstract

Devices for the cosmos - from time with/as space starts from some of the artistic experiences I have been through and develops as a research that approaches the links between visual arts, sound, spatiality and spectator. Through poetic and theoretical references, I seek to investigate concepts that comprehend the object of art in a broad way, taking into account the presence of space and the spectator in its construction. The artistic propositions gathered here unfold in sound performances, actions, interventions, performances, videos and photographs. In all these devices, I question the resonances, deviations and dislocations between the sound that acts in the space, space itself as cosmic totality and the materiality / immateriality of artistic objects. The hybrid place occupied by sound in the field of art contributes to the understanding of the art object as a device that recreates the perception of what is familiar to us and contributes to building links between what is very close and we deal with in everyday life as well as with the incomprehensible and distant cosmos. To think of sound as a real and physical force that acts and interferes in space, being able to create atmospheres, noises and folds in the microspace in which we exist and constitute our ways of life, but which merge with a cosmic-sidereal- space, as a continuum.