A memória de uma imagem e a imagem de uma memória: um estudo sobre o

Abstract

This study is the result of a reflection on Paulo (MAS-SP) and is part of its permanent exhibition. What is proposed is to investigate the image of devotion, for which it was made in the 17th century, until its use as a museum object. The first part of the work focuses on the image and deals with the variations of the iconographic model associated with it, the perceptions of its themes, as well as the intentionality of its creation. The image at the end of this step is also treated as a ghost to the pathos. Then, a more pragmatic approach is taken as it contextualizes it among the productions of the imaginary in 17th century São Paulo. The third part deals with museological phase of the piece and the loss of its cultural value is questioned when moved to the museum. Along this path, different meanings are activated, both in the memorial exercise associated with Catholic practice and in aesthetic appreciation and historical appreciation. It is concluded that nothing is lost, everything is aggregated making it today considered as a cultural asset and Brazilian Catholic heritage.