A linha do desenho embebida no Lacināris: devaneios e ressonâncias do imaginário.

Abstract

This research emerges as a creation of a fictional world made visible by drawing. Thus the chapters presented in the form of individual books seek to encourage any reading order. Such books have the following themes: a presentation about my imagery repertoire, briefly bringing the animations, comics, movies and series that I watch / watched and that in my understanding is present in the work I do. In them I seek to highlight the affectivities around fictional narratives, thus contextualizing the moment in which this predilection was noted; approaches in the form of records and short texts of the works that emerged from the research, delimiting concepts of drawing, imaginary and fiction; The last one discusses the drawing, the act of drawing and the sheet of paper, showing the way of thinking about them within the creative process. Thus I think of drawing as a fictional act because it is in a busy society and without time for reflection, drawing emerges as a daydream method, the sheet of paper as the boundary of creatures that are present on its surface. To deepen the importance of image in the process of creation, I begin with Gaston Bachelard (2001), presenting a lake of the imaginary elaborated with reading influences on Gilbert Durand (2012). Thus arises the Lǎcināris, a lake of my imagination where all the images I have ever seen are. I also present the process of creating the works produced through it. To contextualize the contemporary society in which this research is thought, I use Byung-Chul Han (2017), followed by newspaper articles which I use to reflect the conditions of the population present in a society of tiredness (HAN, 2017). For this, I present the image and the fiction starting from the assumption that such a society can attribute a inferior vision to them, adding to such problematic I bring artists that work with diverse points of view of this society, such as Michael Majerus (1954 - 2002) , Fernando Duval (1937), Moebius (1938 - 2012), Agnes Meyer-Brandis (1973) and Patricia Piccinini (1965).