É pela arte toda, pela história de vida: as representações da música nas Vivências Griô, da Mestra Sirley Amaro.

Abstract

The research " It is for the whole art, for the history of life: The representations of the music in Vivências Griô of the Master Sirley Amaro" aim to understand the representations of the music of Mister Griô Sirley Amaro . For this, it proceeds through a qualitative approach to research through the proposal of surrealist ethnography. In the perspective of remembering the facts that occurred in the construction of individual and social life, they propose the meetings between education, the reminiscing, music and performance in master’s practices, which she calls "Vivências Griô". The reflections are inspired by the contributions of Walter Benjamin in dialogue with authors in the fields of Education, Sociology, Ethnomusicology, Anthropology and Social Psychology respectively, Miguel Arroyo, Boaventura de Souza Santos, Alan Merriam, John Blacking, James Clifford, Mary Jane Spink and Serge Moscovici. It is observed that the representations of Mestra's music anchor and objectify the feelings and the identity signs of the African culture that base the resistance of their narratives and put orality, performance and music as key factors in the construction of an Other Pedagogy. This makes it possible to conclude that the representations of music understood a performance of resistance and that, in the field of education, can be contrasted with any and all forms of invisibility of knowledge and the oral tradition historically and culturally built up.