Museu do pão: arquitetura, cultura e lugar.
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Universidade Federal de Pelotas
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This paper constitutes a study about the Museu do Pão museum, developed by Brasil Arquitetura’s
office in São Paulo, with an emphasis on verifying the relations set between architecture, culture and
place. At the museum, built between 2005 and 2007 in Ilópolis, small town in the mountain region of
Rio Grande do Sul, there’s a clear and conscious intention by the authors to relate the works with the
local culture, as well as to systematically use the aspects of said culture as project and architecture
form elaboration criteria. It is an example where context aspects enter the architectural synthesis
alongside other aspects that transcend it, on the dialectic process between the author’s architectural
culture and context culture. This synthesis is recurrent in other works and it is determinant to the
works of Brasil Arquitetura - of which the works of Ministério da Educação e Saúde Pública by Lúcio
Costa and SESC by Lina Bo Bardi are references. Aiming to establish this links or ‘connections’ with
context cultural aspects as a way of qualifying their architecture, architects seem to contribute to the
construction of a place, a ‘place of memory’, actually. Starting from the premise that context and
culture aspects are inherent to the architectural mechanism and that the different forms through
which a work can relate to the surrounding place and culture was a theme of great importance on a
certain moment of modern architecture; the Museu do Pão analysis explores how this intention, by
the authors, manifests in the professional M.O. of Brasil Arquitetura’s office and in the produced
architecture, and seeks to identify the aspects that seem to contribute to the construction of a ‘place
of memory’.
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PACHALSKI, Glauco Assumpção. Museu do pão: arquitetura, cultura e lugar. 2012. 225 f. Dissertação (Mestrado em Arquitetura e Urbanismo) - Programa de Pós-Graduação em Arquitetura e Urbanismo. Faculdade de Arquitetura e Urbanismo. Universidade Federal de Pelotas, Pelotas, 2012.
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